RELIGIOUS PROPAGANDA AS HEGEMONY STRATEGY DEPICTED IN AGORA (2009)

  • Purwoko Budhi Setiaji Unsoed
  • Afrizal Zein
  • Ali Naqi
  • Dominika Jenetaugusta Jalatirani

Abstract

This paper entitled “Religious Propaganda as Hegemony Strategy Depicted in Agora (2009)” aims to find out the hegemony occurred in Agora movie that is reflected through religious propaganda. In conducting the research, the researcher uses the theory of hegemony by Antonio Gramsci. The data collection was based on the dialogue of the movie, which then supported by books, journals, and articles depicting the hegemony and the social setting of the movie. In conducting the research, the researchers found that the hegemony depicted in the Agora movie are reflected in the religious propaganda in the form of condemnation towards other religion and the preaching of the Christianity itself. 


 


 

References

Amenábar, Alejandro. (2009). Agora, Mod Prodduciones. Spain. 127 Minutes.


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Robinson, B.A. (2007). http://www.religioustolerance.org /chr_hise.htm. Accessed on Tuesday, June 19 2018

Max,Dashu.(2000).https://www.suppress edhistories.net/secrethistory/hypa tia.html. Accessed on Sunday, June 17 2018

Kristensen, Troels M. (2009). Religious Conflict in Late Antique Alexandria: Christians Responses to “Pagan” Statues in the Fourth and Fifth Centuries CE. Aarhus: Aarhus University Press

Loon, Hans van. (2009). The Dyophysite Christology of Cyril of Alexandria. Leiden and Boston: Koninklije Brill
Published
2018-10-12
How to Cite
SETIAJI, Purwoko Budhi et al. RELIGIOUS PROPAGANDA AS HEGEMONY STRATEGY DEPICTED IN AGORA (2009). Jurnal Lingua Idea, [S.l.], v. 9, n. 2, p. 157-164, oct. 2018. ISSN 2580-1066. Available at: <http://jos.unsoed.ac.id/index.php/jli/article/view/1249>. Date accessed: 25 apr. 2024.
Section
Articles